CARNIVAL SKIN

CARNIVAL SKIN

Acclaimed Performers at the Montreal Jazz Festival 2006, Canada and the EDGEFEST 2007, Ann Arbor, MI, USA

"Carnival Skin is a killer quintet formed by guitarist Bruce Eisenbeil and drummer Klaus Kugel ... to make one of the hottest line-ups in free jazz of the past ten years. Maybe twenty." - Dan Warburton, PARIS TRANSATLANTIC, January 2007

from left to right:
Klaus Kugel drums, percussions
Hilliard Greene - double bass
Bruce Eisenbeil - acoustic and electric guitars
Peter Evans - trumpet, piccolo trumpet, slide trumpet
Perry Robinson - clarinets

CD "CARNIVAL SKIN" (nemu 003)

"They push the material right up to the line, allowing a smoothly flowing centrifugal force to do its thing without compromising the integrity of the material." - From the liner notes by Bill Shoemaker

released 2006 on NEMU RECORDS
Liner notes by Bill Shoemaker
Artwork by Marc Lambrechts

Many thanks to Chicago station WNUR for your amazing support by making Carnival Skin #2 in their Jazz Top 10, 2 weeks in a row !
(For those of you outside of North America: WNUR is a non-commercial, listener-supported radio station and the station produces a signal which can be heard by nearly 3 million potential listeners throughout Chicagoland. WNUR also streams on the internet via the website WNUR to listeners all around the world.)

What The Critics Say:

"... I'm wondering whether or not I wouldn't have chosen this one as album of the year had I received it in time ... – it's that good. Carnival Skin is a killer quintet formed by guitarist Bruce Eisenbeil and drummer Klaus Kugel, who recruited bassist Hilliard Greene, trumpeter Peter Evans and clarinettist Perry Robinson to make one of the hottest line-ups in free jazz of the past ten years. Maybe twenty. Perry Robinson needs no introduction to aficionados of free music – he's been a driving force in free jazz for over half a century, while never quite achieving the top billing he so richly deserves. If you thought the clarinet couldn't hold its own in a fire music outfit, think again: Robinson burns. And when he's not burning he's swinging, and when he's not swinging he's singing. In Peter Evans, whose solo trumpet debut More Is More on psi raised many eyebrows last year, he has the perfect foil. Evans was impressive enough all alone, but you should really hear him get down here. The six tracks are driven effortlessly forward by the Greene / Kugel rhythm team, with meticulous and expert punctuation from Eisenbeil, who's never sounded so good. His solos spit fire and sweat (somewhere Sonny Sharrock is looking down approvingly) and his accompaniment counterpoints the work of the horn players to perfection. There's an urgency to this music that's all too often lacking in today's so-called free jazz, much of which has settled into the kind of comfortable orthodoxy it originally set out to challenge, but also a tough, unsentimental lyricism not always on offer in the work of other firebreathers. It's a truly outstanding disc and if you don't get hold of a copy at the earliest available opportunity you're a damn fool."
- Dan Warburton, PARIS TRANSATLANTIC, January 2007

"This remarkable quintet have created a stunning debut with an eponymous full-length that consistently sounds like it’s on the brink of collapse before miraculously cohering."
- Vish Khanna, EXCLAIM!, Canada, 2006

" ... their horse-sure sense of how to move together as an ensemble is remarkable to witness."
" ... the group's ability to twist and turn with a unified sense of direction seems most honed."
" ... a compelling, incessantly surprising album"
- Philip Clark, THE WIRE , UK, March 2007

"One can only discover where the journey will lead us if we dare to follow with exploring curiosity into other worlds. With relentless self expression, courage and hard forged craftsmanship, the members of Carnival Skin have created more than an impression of contemporary modernism but an indelible imprint that marks our conscious and subliminal minds. Rife with content and images that go beyond the multi-dimensional experience, it is laden with aural interpretations that engage the listener in its total expression of absolute terms.
Carnival Skin is a newly formed quintet of composers, innovators, and improvisers - musicians whose collective experiences span several genres of music, five generations, and two continents and embodies the history and represents a new direction in the creative and free music art forms - one that abundantly employs the elements of surprise and spontaneity combined with a fearless surrendering to the unknown.
Having worked together in various combinations in the past, the five naturally come together for the first time on Carnival Skin as individual abstract aspects of a whole.
The group simultaneously maneuvers their way through a series of rhythmic experiences that coexist and ultimately become one in the same - movement and momentum - life and the experience of life. Carnival Skin is one of the best and most encouraging new works I've heard to date and one I highly recommend enjoying while viewing a Jackson Pollack painting and sipping a fine cognac."
- Margot Elizabeth Meyers, JAZZIMPROV, USA, December 2006

"Some records are best heard without any hype, without all unnecessary shouting and raving. Such is the case with the latest eponymous offering from Carnival Skin. Guitarist Bruce Eisenbeil, percussionist Klaus Kugel, clarinettist Perry Robinson, trumpeter Peter Evans and bassist Hilliard Greene are the faces behind the name. Discovery for me is the fierce guitar playing of Bruce Eisenbeil [one of the initiators of this group]. While it's too easy to throw a Sonny Sharrock comparison his way, there is a certain truth to it. His barrelling, rough lines full of melodic chaos are evident throughout much of the album. Klaus Kugel's percussion skills shine through and through as he pounds his skins into submission [what's great is he's right up-front in the mix, and not relegated to the role of a "supporting" member]. Biggest surprise is the way Perry Robinson adjusts himself into the role. Clarinet lines flow out of him not so much with a sense of grace or any sort of wonder, but with sheer force. The duelling, full-frontal attack of Robinson on clarinet and trumpeter Peter Evans is stunning in execution. Waves of heavy blowing mutilation are heard, which are accompanied by a further hailstorm from Eisenbeil on that lovely, crunchy guitar. Bassist Hilliard Greene acts as the pulse as his fast picking provides good ballast. Above all else, this is a fascinating listen and a top-rate session through and through. Let's just hope this isn't a one-off deal."
-Tom Sekowski, GAZ-ETA, august 2006

"Their energy is devastatingly positive."
- Massimo Ricci, TOUCHING EXTREMES, 2007, Italy

"The group’s aesthetic ranges from pan-tempo interdependence a la the New York Art Quartet to tumultuous free improvisation, sometimes channeling opposite poles within what feels like a heartbeat."
- BAGATELLEN.COM, March 2007, USA

"Recent modern jazz startup, NEMU Records is fronted by German drummer Klaus Kugel and others. With classy packaging and audiophile sound engineering in place, recordings such as this newly issued studio set communicate new directions in jazz. It’s partly about freedom of thought segueing into structure, and craftsmanship. Throughout the preponderance of this session, trumpeter Peter Evans and clarinetist Perry Robinson engage in concise and sonorous unison choruses atop the rhythm section’s buoyant grooves.
Guitarist Bruce Eisenbeil’s flickering and frenetic single note licks provide an intersection for the quartet’s disparate twists and turns. With staggered flows and zealous soloing, the musicians venture into various musical planes via boisterous evolvement and an upbeat gait. And it’s all spiced-up with elements of wit and whimsy, as they contrast the musical climate by occasionally tempering the flows. However, the band is apt to render a series of gingerly climactic passages leading to a full-fledged sonic assault, abetted by expansion and contraction style techniques. In sum, the music offers a refreshing perspective on the current state of modern jazz amid the improvisational aspects that provide the prerequisites for success."
- Glenn Astarita, EJAZZNEWS.COM, July 2006, USA

"American and European jazz influences merge in this avant-garde quintet intent on bringing the intellectual complexity of contemporary composition to the world of free jazz using chord colors rarely heard in public places. Riding a rhythm section of guitar, acoustic bass and drums, solo clarinet and trumpet players go exploring where no jazz band has gone before. They are curious to find out what happens after they leap into the abyss."
- TUCSON CITIZEN, USA, 2006

"This is a tremendously varied session of five improvised pieces credited to each quintet member and the eponymous collective creation - where sculpted sounds from guitar, drums, clarinet, trumpet and bass combine and collide in unique ways, not always easy to absorb."
- Irwin Block, MONTRÉAL GAZETTE, Canada, July 2006

The most creative music that I have recently heard.
- Dr. Ana Isabel Ordonez, JAZZREVIEW.COM, USA, 2006

"Everyone contributes a piece, but the improvising language is collective and the closing title track shows how scrupulously brokered the group democracy is."
- Brian Morton, THE WIRE, UK, July 2006

“passionately concocted free jazz played with a strong, but never stolid, consensus of purpose.”
“This is definitely a group were variance of experience and style work as core virtues.”
“sharp-toothed collective improvisation”
“dynamic shifts that stretch from passages of somber quiet to flareups of explosive jangling catharsis.”
- Derek Taylor, ALLABOUTJAZZ.COM, USA, 2006

“extraordinary downtown all-star quintet”
- Bruce Gallanter, DOWNTOWN MUSIC GALLERY, USA, 2006

“Carnival Skin blurs the lines between free jazz, improvisation, and modern composition.”
- BALTIMORE CITY PAPER, USA, 2006

“Huge sounds in close quarters.”
- NY PRESS, USA, 2006

“music of rare quality”
“The feeling of doing something fresh creates a special atmosphere in this session.”
- MUSIC BOOM, Italy, 2006

full CD reviews :

in USA JAZZ IMPROV www.allaboutjazz.com www.jazzreview.com ejazznews.com www.bagatellen.com KZSU.zookeeper.online
in Canada www.exclaim.ca
in France paristransatlantic.com www.dmute.net www.progressia.net
in UK THE WIRE
in Netherland www.jazzpodium.nl
in Poland www.gaz-eta.vivo.pl
in Italy www.ilpopolodelblues.com www.musicboom.it
in Hungary www.improv.hu
in Belarus www.nestor.minsk.by

Producing a cutting edge, high energy art form, CARNIVAL SKIN explores original melodic themes and rhythms found not only in the traditions of free jazz and contemporary improvisation but also in the new complexity of modern composition. The band’s philosophy is based on paradoxes and extremes being a necessity in order to achieve balance. The variety of their work discovers contrasts in the weight of sound. CARNIVAL SKIN digs into a place where people live not out of necessity but because they want to be part of a future that invites surprise and welcomes spontaneity.

The band’s mission has been to explore their passion for improvisation and musical exploration and to develop a unique musical cohesion through extended performances. The focus is on the art form itself, despite the current trend of image-driven music on the scene today. This band aims to develop cutting-edge jazz and contemporary improvisation to re-establish substance over hype. Following is a brief history of the band, and the diverse background of the musicians that make up CARNIVAL SKIN.

Eisenbeil said, ”We like to use space and silence for dramatic effect. I personally like to keep one foot in the abyss.” Eisenbeil began performing music with drummer Klaus Kugel in 2004. Eisenbeil had already been developing music with Peter Evans and Hill Greene. As it turned out Kugel had performed with Greene in other situations. The band did some sessions as a quartet and then developed into a quintet featuring Perry Robinson whom Kugel had been playing music with for over 20 years.

For booking please contact:

USA & Canada:
Bruce Eisenbeil
email: eisenbeil@aol.com
phone: +1-212-751-3456
www.eisenbeil.com

Europe & all other countries:
Klaus Kugel
email: klauskugel@gmx.de
phone: +49 2261 911 403
fax: +49 1212 513 404 606
www.klauskugel.com

Biographys

BRUCE EISENBEIL - electric and acoustic guitars

"Eisenbeil is one of the most unique jazz guitarists to emerge in decades." - Harvey Pekar, JazzTimes
"A distinctive voice. About as revolutionary as music can actually get." - The Wire
"Strikingly original." - Downbeat
Each of Eisenbeil's cd's - OPIUM, MURAL and NINE WINGS - have received critical acclaim. He has toured throughout the USA and Japan and performed in Germany and Brazil. He has performed at many festivals including the Texaco New York Jazz Festival, Vision Festival, CMJ Music Conference, Buffalo Interprov Festival, Philadelphia Mellon Jazz Festival, Trenton Avant-garde Festival, and the Philadelphia Fringe Festival.
Eisenbeil has collaborated with many fine musicians including: Cecil Taylor, David Murray, Milford Graves, Evan Parker, Wolfgang Fuchs, Ellery Eskelin, Andrew Cyrille, William Parker, Katsuyuki Itakura, Alex Blake, Micheal Manring and many others.
The readers and writers of Cadence Jazz Magazine voted OPIUM one of the top 10 new jazz releases of 2002. His work has been featured in many magazines. Eisenbeil has been interviewed in AVANT and featured in CADENCE with a cover story.

KLAUS KUGEL - drums, percussion

"Most ensembles can only wish for a percussionist with such high skill and perceptive musicianship as Klaus Kugel" - Frankfurter Rundschau, Germany
Klaus Kugel has been a member of the "Michel Pilz - Quartet" since 1986. Since 1989 he has been playing with the Lithuanian soprano-saxophonist Petras Vysniauskas; since 1994 with Theo Jörgensmann.
He has also worked alongside Tomasz Stanko, Zbigniew Namyslowski, Kenny Wheeler, Charlie Mariano, Karl Berger, Kent Carter, John Tchicai, Lee Konitz, Nils Wogram, Reiner Winterschladen, Vyacheslav Ganelin, Gerd Dudek, Antatoly Vapirov, Enver Izmaylov, Perry Robinson, Kornel Horvath, Glen Moore, Bobo Stenson, Wolter Wierbos, Vladimir Volkov, John Law, Antony Donchev, Eric Vloeimans, Paul Dunmall, Arkady Shilkloper, Steve Swell, Sabir Mateen, Otto Lechner to name but a few. He has performed concerts all over Europe, Russia, Canada, USA, Syria, Japan, South America and China.

PERRY ROBINSON - clarinet

World renowned clarinetist, Perry Robinson, son of folk composer Earl Robinson, has made many records over the years. His debut, FUNK DUMPLING, has been recently reissued on Savoy records. Originally recorded in 1962, it features Kenny Barron, Paul Motian and Perry's legendary mentor, bassist and composer, Henry Grimes. Also recently reissued on CD is Perry's classic collaboration with Nana Vasconcelos and Badal Roy entitled Kundalini. Charlie Haden's debut recording of his Liberation Music Ensemble , originally released in 1973 for MCA/Impulse, also finds Perry in the mix. Most recently, Perry can be heard on CD's with his own quartet on West Wind Records (Nightmare Island) and Call To The Stars and with Burton Greene's Klezmokum, a Klezmer/jazz group based in Amsterdam.
Perry Robinson was continually a top winner in the annual Down Beat International Critics Poll throughout the 1970's and 1980's, placing first in the Talent Deserving Wider Recognition category a total of six times.
A small list of musicians Perry Robinson has collaborated with includes: Annette Peacock, Archie Shepp, Barry Altschul , Bill Dixon, Carla Bley, Charlie Haden , David Baker, Dewey Redman, Don Cherry , 'Gato' Barbieri , Grachan Moncur III, Gunther Schuller, Henry Grimes, Howard Johnson, Jimmy Lyons, Kenny Barron, Kent Carter, Makanda Ken McIntyre, Michael Mantler, Paul Bley, Paul Motian , Robin Kenyatta, Roswell Rudd, Steve Lacy, Steve Swallow, Tommy Turrentine, William Parker and far too many more to list.

PETER EVANS - trumpet, piccolo trumpet, slide trumpet

Peter Evans is a trumpeter, improvisor, and composer living in New York City. Born in 1981, Peter grew up near Boston, and moved to New York after graduating Oberlin Conservatory with a B.M. in classical trumpet performance.
While at Oberlin, Peter was able to collaborate with many musicians, including James Dillon, George Lewis, Francis Marie-Uitti, and Ursula Oppens. In New York, Peter is involved with improvised and creative music, jazz, and contemporary classical music. He co-leads the New York Trumpet Ensemble with Mark Gould, plays in the improvisation quartet Imaginary Folk, and leads an electro-acoustic quartet with Stefan Tcherepnin, Brian Chase and Byrne Klay.
While in NYC, Peter has presented his music in various venues, including dancespace at St. Mark's church, Tonic, and the Stone. Recent projects have included American premieres of music by Brian Ferneyhough, a collbaration at the Bowery Ballroom with the speed-metal band Hella, and performances with Moppa Eliott's terrorist bebop band Mostly Other People do the Killing. Peter also plays with contemporary music groups Alarm Will Sound, the International Contemporary Ensemble, and Ensemble 21.

HILLIARD GREENE - double bass

Hilliard Greene has been studying music for more than 30 years and has been playing professionally over 20 years. His emphasis is in classical, jazz, rock, blues and R&B as well as the music of other continents and US regions. Currently he is concentrating on solo performance.
Greene studied at Berklee College of Music in Boston and the University of Northern Iowa. Greene performs widely in the New York City area in recitals, nightclubs, and recordings, and on television and radio programs. He has appeared in major cities throughout the United States and South America. Greene has performed and/or recorded with Jimmy Scott, serving as his Musical Director and with Cecil Taylor where he was Concert Master for his group "Phtongos". He has also worked with Gloria Lynne, Jacky Terrasson, The Inkspots, Rashied Ali, Leroy Jenkins, Jimmy Ponder, Eddie Gladden, Vanessa Rubin, Yoron Israel, Cindy Blackman, Electric Symphony, Charles Gayle, Jack Walrath, Don Pullen, Dave Douglas, Bobby Watson, Kenny Barron, Joanne Brackeen and The Jazz Expressions.